![]() ![]() ![]() 3 possesses nonetheless a graceful charm and seemingly blithe contentedness in its demeanor. Though marked Tempo guisto (Allegro vivace), the Impromptu No. 66, which appeared in print posthumously, was actually the first in order of composition and published by Chopin’s executor, Julian Fontana, against the composer’s wishes that all his unpublished should be destroyed after his death. Though it appears as the third of the four Impromptus in the catalogue of Chopin’s work, the G-flat major Impromptu was actually the last composed-the Fantasie-Impromptu, op. 51 was dedicated to the Countess Esterházy. Such is the case with Chopin’s impromptus.Ĭomposed in 1842 and published the following year, the Impromptu No. Ironically, many of the pieces that bear the title possess well delineated forms and betray a more rigorous thought process rather than spur-of-the-moment inspiration. More famously, however, Franz Schubert composed eight such pieces in 1827 and since then the term “impromptu” became popular with many Romantic and even 20 th century composers. Its first recorded use was in 1817 by a publisher to describe a piece by the Czech composer Jan Václav Voříšek. Like the fantasia, the title “impromptu” is used to describe a piece of music written in an improvisatory manner. ![]()
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